Read our feature interview of Joan Jonas, by fellow artist Liam Gillick. A retrospective of her work is on at Tate Modern through 5 August. ShareTweet
Reading the National Gallery’s TombstoneNirmala DeviBook ReviewsArtReview14 March 2025There’s something both unsettling and appropriate about this massive, lavish tome
We All Have ‘Archive Anxiety’ NowMichelle Santiago CortésOpinionartreview.com14 March 2025As online access to information becomes increasingly restricted, even the noblest feats of preservation and archiving are being hijacked
Huidi Xiang Gets Weird With ‘Cinderella’Tom McGlynnReviewsArtReview13 March 2025The artist’s show at Yve Yang Gallery, New York enacts a deliberate misreading of one particular scene from the Disney film
Tanya Lukin Linklater: Heavy WeatherCamille Georgeson-UsherFeaturesArtReview13 March 2025How Linklater deploys a mix of atmospherics and choreography to resist ongoing colonial violence
Edward Gillman appointed new director of Chisenhale GalleryArtReviewNewsartreview.com13 March 2025Gillman joins from nonprofit visual arts institution Auto Italia
The Cancellation of Khaled Sabsabi Reveals Australia’s Conservative TurnAmelia WinataOpinionartreview.com12 March 2025With elections looming, what do accusations of antisemitism in the artist’s work reflect about a country divided?
Renata Lucas: Day at the MuseumMateus NunesReviewsArtReview12 March 2025A new show at Pinacoteca de São Paulo revisits works from the last two decades which drastically intervene in the exhibition spaces and their surroundings
On Kawara Used To Be StrangeJennifer TeetsReviewsArtReview12 March 2025The artist’s early works stand in stark difference to the sombre conceptualism that followed
Why Bong Joon Ho’s ‘Mickey 17’ Is Realer Than You ThinkPhilippa SnowOpinionartreview.com11 March 2025What should have been Bong’s victory lap becomes, instead, a too-late warning from history
Greek politician storms ‘blasphemous’ National Gallery showArtReviewNewsartreview.com11 March 2025Nikolaos Papadopoulos vandalised works by Christophoros Katsadiotis
