We Need New Words for Diversity, Equity and InclusionTravis DiehlOpinionartreview.com07 March 2025The problem is the impulse to defend ‘DEI’ as a metaphor without making the case for its essential value
Art, Empathy and Ecological ArmageddonMark RappoltReviewsArtReview Asia07 March 2025‘DANCING WITH ALL’ at 21st Century Museum of Contemporary Art, Kanazawa toys with a tension between what’s ‘real’ and what’s artifice
Marshmallow Laser Feast Won’t Save the PlanetGreta RainbowReviewsartreview.com07 March 2025While ‘Entwined’ at Bitforms gallery makes Earth look pretty, the sources of the artists’ AI imagery are being burned, razed and flooded
The Oneness Gallery presents, Marigpa: A Golden VisionaryArtReviewPartner Contentartreview.com07 March 2025The London-based artist speaks to ArtReview about influence, abstraction and materialism
How Donald Rodney Found Refuge for the Black BodyTendai MutambuOpinionartreview.com06 March 2025Rodney was an expert of fragmentation, distortion and the obfuscation of a unified self-image
Marnie Weber, For Female Storytellers EverywhereMartin HerbertReviewsArtReview06 March 2025In film and paintings, ‘When Roses Bloom’ at Heidi, Berlin explores the hallucinatory nature of ageing
2026 Venice Biennale pavilions: your go-to list [Updated]ArtReviewNewsartreview.com06 March 2025The latest announcement: Endre Koronczi will represent Hungary
In Pictures: Liu Jiakun wins 2025 Pritzker Architecture PrizeArtReviewNewsartreview.com05 March 2025Liu was a part of China’s Zhiqing (“educated youth”) during the cultural revolution
Diriyah Contemporary Art Biennale 2026 curators announcedArtReviewNewsartreview.com05 March 2025Nora Razian and Sabih Ahmed will direct third edition
Tatsumi Orimoto, ‘Bread Man’, 1946–2025ArtReviewNewsartreview.com05 March 2025The Japanese artist went on to collaborate with his mother
