Guy Ullens, preeminent collector of Chinese art, 1935–2025ArtReviewNewsartreview.com22 April 2025Ullens cofounded the Ullens Center for Contemporary Art in Beijing
Jakkai Siributr: The Fabric of ViolenceYuwen JiangReviewsArtReview Asia22 April 2025Siributr’s textile works emerge from times of conflict and violence, setting horror and yearning in fabric
Don’t Listen to the Art GurusRosanna McLaughlinOpinionartreview.com22 April 2025Celebrity authors are rebranding themselves as philosophers of art; an extraordinary dumbing down of culture has occurred
Video Art: A Taster MenuMia SternBook ReviewsArtReview17 April 2025Phaidon’s ‘Vitamin V’ takes on the unenviable task of overviewing contemporary video and moving-image art
2026 Venice Biennale pavilions: your go-to list [Updated]ArtReviewNewsartreview.com17 April 2025The latest announcement: Florentina Holzinger will represent Austria
Nora Turato Examines ‘Authenticity’, or What’s Left of ItIsabelle BucklowOpinionartreview.com17 April 2025The artist’s new exhibition at ICA London asks what has – and will – become of language in the age of the Large Language Model
What Does ‘Contemporary Art’ Mean in Oman?Sarah JilaniOpinionArtReview Asia17 April 2025The preexisting parameters for recognising ‘contemporary art’ as opposed to the ‘decorative’ show the unlearning still ahead of us
Tuan Andrew Nguyen: Behind the ‘Bamboo Curtain’Sơn Nguyễn Lê VinhReviewsArtReview Asia16 April 2025In ‘Fight or Flight or Float or Fall’, Tuan Andrew Nguyen questions the erosion of social and material memory
Who’s Afraid of Identity?J.J. CharlesworthOpinionArtReview16 April 2025After Trump’s second coming, the artworld will have to work hard to regain its legitimacy
2024 Asian Art Biennial Review: Take a Deep BreathZian ChenReviewsArtReview Asia15 April 2025The cerebrally dense works at the latest Asian Art Biennial take breathing as a starting point to explore collective ways of living, dreaming and resisting
