LaToya Ruby Frazier receives 2016 Gordon Parks Foundation Award

ArtReviewNews25 May 2016artreview.com

LaToya Ruby Frazier, Grandma Ruby and Me

The Gordon Parks Foundation has announced photographer and video artist LaToya Ruby Frazier as the recipient of its 10th anniversary award, for her contribution to photography and the visual arts.

LaToya Ruby Frazier: Performing Social Landscapes, is on view at CAPC musée d’art contemporain de Bordeaux, France, until november 2016.

25 May 2016.

The Tangled Politics of Erdoğan’s Culture Route Festival

Kaya GençOpinionartreview.com18 October 2024

How resistance to a government-funded festival is energising Turkey’s art scene

The Interview: Mark Bradford

Mark RappoltFeaturesArtReview Asia18 October 2024

“If I have a certain amount of power and I’m able to create a platform for some young creative people who don’t feel that they have as much power or value, that’s a conversation I’m very interested in”

9th Asian Art Biennial announces full artist participation

ArtReviewNewsartreview.com18 October 2024

Titled ‘How to Hold Your Breath’, the 9th edition ‘evokes the tension of pausing a vital act and holding onto hope in the face of uncertainty’

Enter Ruinart’s 4 Rue des Crayères

ArtReviewPartner Contentartreview.com17 October 2024

ArtReview sat down with Ruinart’s International Arts and Culture Director Fabien Vallérian to talk art, champagne and the the future of our habitats

MUAC takes down Ana Gallardo works amid criticism over derogatory language

ArtReviewNewsartreview.com17 October 2024

MUAC initially defended the artist’s freedom of expression

Eric Wesley’s Funny Money

Gracie HadlandReviewsArtReview17 October 2024

‘Turning Tables’ at Timeshare, Los Angeles rails against the businessification of art

Nina Canell: Hoarder’s Fascination

Nathaniel BudzinskiReviewsArtReview17 October 2024

‘Future Mechanism Rag Plus Two Grams’ at Simian, Copenhagen continues Canell’s interest in how materials meet and change each other

The Ballardian Creatures of Troika

Hana Ostan-Ožbolt-HaasReviewsArtReview17 October 2024

In ‘Terminal Beach’ at MAK Contemporary, Vienna, the collective confront a sense of disorientation at the heart of addressing the environmental crisis

After Malayalam Cinema’s MeToo Reckoning, What Comes Next?

Deepa BhasthiOpinionartreview.com16 October 2024

The release of the Hema Committee Report on rampant sexual harassment reflects deeper misogynist attitudes across the country that will be harder to shake

Payal Kapadia, All We Imagine as Light, 2024. Courtesy Petit Chaos and Chalk & Cheese Films

Joanna Piotrowska: The Politics of Touch

Chris MurthaReviewsArtReview16 October 2024

A new show at Philadelphia’s Institute of Contemporary Art exposes the vulnerability implicit in any physical encounter