12th Berlin Biennale Review – Kader Attia’s Broadside Against Global IniquityMartin Herbertartreview.com14 June 2022The exhibition has cunningly critic-proofed itself
Aperol and ASMR: the Artworld Practises SelfcareMartin Herbertartreview.com11 May 2022In troubling times, galleries serve up soothing variations on the familiar
Tomo Savić-Gecan’s Quiet, Extreme Reconsideration of ArtmakingMartin HerbertArtReview20 April 2022If you’re hoping for a glimpse of the Croatian artist’s work at the 59th Venice Biennale – look anywhere but the Croatian Pavilion
All In It Together? A Guide to Artworld FriendshipsMartin Herbertartreview.com19 April 2022Contemporary art runs on a cocktail of fuels: alcohol, bullshit and bonhomie
Maria Eichhorn: Art Against Commodity FetishismMartin HerbertArtReview13 April 2022What will an artist known for confounding expectations bring to the loaded symbolism of the German Pavilion at the Venice Biennale?
What’s the Point of the Venice Biennale?Martin Herbertartreview.com30 March 2022As the artworld prepares to jet off to La Serenissima, Martin Herbert wonders who it’s really all for
Paul Fägerskiöld Contemplates the Future of Starry NightsMartin HerbertArtReview08 March 2022At Galerie Nordenhake, Berlin, the artist has based his paintings on computer projections of night skies in 2100
