Notes from New York: A Second ChanceJenny Wuartreview.com05 March 2025Why faulty first impressions only tell half the story, and the beauty of never quite making up your mind
Sohrab Hura: Our Motherless AgeJenny WuArtReview12 February 2025At MoMA PS1, Hura explores the mother – or at least, his own – as a metaphor for social, political and economic safeguards
Notes from New York: All Together NowJenny Wuartreview.com04 February 2025How the recent tendency for ambiguous self-reflexivity is redrawing the lines of institutional critique
Mark Leckey’s New Dark WorldJenny WuArtReview31 January 2025In ‘3 Songs from the Liver’ at Gladstone Gallery, New York, the artist flirts with a religious turn
Plain Sight: How Do We Preserve Public Art?Jenny Wuartreview.com13 January 2025The afterlife of Scott Burton’s sculpture, Atrium Furnishment, now on show as part of a larger installation, stands in contrast to a world becoming increasingly hostile by design
Notes from New York: A Day in the LifeJenny Wuartreview.com07 January 2025How might sentimentality for the recent past be transcended and rewritten?
Notes from New York: Seeing in the DarkJenny Wuartreview.com04 December 2024In the wake of the US election, how can art illuminate the troubling interconnections between politics and place?
