The Biennale at the End of GlobalisationJ.J. CharlesworthArtReview03 April 2024What’s next for the contemporary art biennial, now that the era of neoliberal globalisation that shaped it starts to unravel?
Andrew Black’s Nation of MemoryJ.J. CharlesworthArtReview02 April 2024‘On Clogger Lane’ at LUX, London memorialises and wards against forgetting a British past
Julian Spalding Argues for Art’s ValueJ.J. CharlesworthArtReview19 March 2024Spalding’s memoir, ‘Art Exposed’ conjures a period in British history when the public debate around visual art was hotly contested
‘Undiscovered’ by Gabriela Wiener Review: The Moral Stain of Your ForbearsJ.J. CharlesworthArtReview13 February 2024The Lima-born author and journalist writes about her ancestors in a memoir that is as much about desire as it is the bonds that form and make families
Pope. L: AfterlifeJ.J. CharlesworthArtReview01 February 2024The artist’s sudden death in late December now makes his work’s sculptural emphasis on human presence all the more charged
‘Monica’ by Daniel Clowes Review: The Mundane, Freakish PeopleJ.J. CharlesworthArtReview13 November 2023Clowes collides sci-fi tropes with emotional complexity and the frustrations of dead-end contemporary life
Benjamin Senior’s London Is BeautifulJ.J. CharlesworthArtReview03 November 2023‘Minor Streets’ at Carl Freedman Gallery, Margate revives the unmodish influences of the kind of social realism that emerged in Britain during the 1930s
