‘Disordered Attention’: How to Rethink Contemporary SpectatorshipJ.J. CharlesworthArtReview17 June 2024Claire Bishop’s new book explores the impact of digital culture on post-1990s contemporary art – do we still have the patience?
Guy Brett, A True Artworld ConnectorJ.J. CharlesworthArtReview12 June 2024‘Angel with a Gun’ at Alison Jacques, London remembers the critic and curator in dialogue with the present artworld and its engagement with non-Western history
The Interview: Carsten Höller & Adam HaarJ.J. CharlesworthArtReview10 June 2024The artist and the scientist are planning a new kind of sculpture – made of visitors’ dreams
Black Portraiture: ‘Looking At’ Or ‘Seeing Through’?J.J. CharlesworthArtReview03 May 2024‘The Time is Always Now’ at the National Portrait Gallery, London surveys the ‘Black Figure’ as both a genre and critical concept
NFTs Back to EarthJ.J. CharlesworthArtReview29 April 2024‘On NFTs’ could easily become the headstone for a cultural explosion that seems, for now, to have fizzled out
60th Venice Biennale Review: Who Can Judge?J.J. Charlesworthartreview.com19 April 2024Adriano Pedrosa’s ‘Foreigners Everywhere’ wants art to speak for everyone, but it’s hard to know what it might actually say
What’s a Museum For?J.J. CharlesworthArtReview10 April 2024‘A Model’ at Mudam Luxembourg reflects on the politics of being a public art gallery
