Artist Adina Pintile and Curators Cosmin Costinaș and Viktor Neumann on Romania at the 59th Venice BiennaleArtReviewartreview.com15 April 2022‘You Are Another Me – A Cathedral of the Body’ explores the central role of intimacy in the everyday
‘A Collective Spell in the Form of a Pleasure-Positive Camp’: melanie bonajo on representing The Netherlands at the 59th Venice BiennaleArtReviewartreview.com15 April 2022The artist describes creating ‘an eco-erotic queer eros, celebrating our kin through skinship’
‘It’s a Dream Project’: Aisha Stoby on Curating the First Oman Pavilion at the 59th Venice BiennaleArtReviewartreview.com08 April 2022The pavilion will be displaying works by five pioneering Omani artists: Anwar Sonya, Hassan Meer, Radhika Khimji, Budoor Al Riyami and Raiya Al Rawahi
‘An Anatomy Fair’: Jonathas de Andrade on Representing Brazil at the 59th Venice BiennaleArtReviewartreview.com08 April 2022‘With the heart coming out of the mouth’ is anchored in an extensive collection of popular expressions that are metaphors of the body
American Academy in Rome appoints new directorArtReviewartreview.com04 April 2022Aliza Wong is a scholar of modern Italian history
Enter the Underworlds of Peatlands: Turba Tol Hol-Hol Tol’s Chilean Pavilion at the 59th Venice BiennaleArtReviewartreview.com25 March 2022Ariel Bustamante, Carla Macchiavello, Dominga Sotomayor, Alfredo Thiermann, Camila Marambio on breaking the spell of invisibility
‘Anti-Israel’ painting removed from Israeli museumArtReviewartreview.com05 January 2022David Reeb work accused of using ‘gutter language’
