Sensations of Touch: Niamh O’Malley on Representing Ireland at the 59th Venice BiennaleArtReviewartreview.com15 April 2022‘There are hints at functional objects, familiar architectural structures and physical support systems’
Roger Ballen and Phumulani Ntuli on Representing South Africa at the 59th Venice BiennaleArtReviewartreview.com15 April 2022A space to reflect on seemingly different, but interrelated topics within the political foundations of African futures
‘Nothing Is Universal, Not Even Air’: Marco Fusinato on Representing Australia at the 59th Venice BiennaleArtReviewartreview.com15 April 2022The artist on his experimental noise project ‘DESASTRES’
‘We Feel the Centaurs’ struggle’: Uffe Isolotto on Representing Denmark at the 59th Venice BiennaleArtReviewartreview.com15 April 2022‘There’s much hope and despair in the air, and I want to make that a physical reality with this installation’
A Post-Tribal Experience: Firouz FarmanFarmaian on Representing the Kyrgyz Republic at the 59th Venice BiennaleArtReviewartreview.com15 April 2022The artist on the Kyrgyz Republic’s first national participation in Venice
‘I Question the Whole Structure of the Pavilion’: Ilit Azoulay on Representing Israel at the 59th Venice BiennaleArtReviewartreview.com15 April 2022‘We are facing a threshold in the way art remains relevant and alive…’
Vampires in Space: Pedro Neves Marques on Representing Portugal at the 59th Venice BiennaleArtReviewartreview.com15 April 2022The artist looks to speak about the role of fiction and memory in our lives, with a particular care for non-binary and transgender experiences
