A Post-Tribal Experience: Firouz FarmanFarmaian on Representing the Kyrgyz Republic at the 59th Venice BiennaleArtReviewartreview.com15 April 2022The artist on the Kyrgyz Republic’s first national participation in Venice
‘I Question the Whole Structure of the Pavilion’: Ilit Azoulay on Representing Israel at the 59th Venice BiennaleArtReviewartreview.com15 April 2022‘We are facing a threshold in the way art remains relevant and alive…’
Vampires in Space: Pedro Neves Marques on Representing Portugal at the 59th Venice BiennaleArtReviewartreview.com15 April 2022The artist looks to speak about the role of fiction and memory in our lives, with a particular care for non-binary and transgender experiences
The Curators of the Mexican Pavilion at the 59th Venice Biennale Discuss Decolonising the FutureArtReviewartreview.com15 April 2022The pavilion includes work by Mariana Castillo Deball, Naomi Rincón Gallardo, Fernando Palma Rodríguez and Santiago Borja in collaboration with El Camino de los Altos
Riga International Biennial of Contemporary Art postponed to 2023; organisers cite Russia’s invasion of UkraineArtReviewartreview.com14 April 2022‘We strongly condemn the Russian attack on Ukraine and are united with everyone who calls for an immediate end of the war’
NFTs Aren’t Just for Crypto Bros: Meet the Artists Resisting the HypeArtReviewArtReview13 April 2022Auriea Harvey, Norma Xelda Jara, Sarah Friend and Mario Klingemann are expanding the possibilities of digital art in the era of the nonfungible token
ArtReview April 2022 Issue Out NowArtReviewArtReview13 April 2022Featuring Maria Eichhorn, Tomo Savić-Gecan, Stan Douglas, Kerima Tariman, Harry Gould Harvey IV, Marine Serre
