An Architectural ‘Correction’: Ignasi Aballí on Representing Spain at the 59th Venice BiennaleArtReviewartreview.com15 April 2022The proposal for the pavilion consists of ‘correcting’ its architecture to align it with the neighbouring pavilions of Belgium and the Netherlands
Multitudes of Artistic Traditions: Tsherin Sherpa on Representing Nepal at the 59th Venice BiennaleArtReviewartreview.com15 April 2022The exhibition will stimulate sensorial experiences of the audience through sights, touch, smell and sounds
The Experience of a Concert: Latifa Echakhch on Representing Switzerland at the 59th Venice BiennaleArtReviewartreview.com15 April 2022‘It will be an exhibition that I worked on as if I was myself a musician, and not only a visual artist’
Sensations of Touch: Niamh O’Malley on Representing Ireland at the 59th Venice BiennaleArtReviewartreview.com15 April 2022‘There are hints at functional objects, familiar architectural structures and physical support systems’
Roger Ballen and Phumulani Ntuli on Representing South Africa at the 59th Venice BiennaleArtReviewartreview.com15 April 2022A space to reflect on seemingly different, but interrelated topics within the political foundations of African futures
‘Nothing Is Universal, Not Even Air’: Marco Fusinato on Representing Australia at the 59th Venice BiennaleArtReviewartreview.com15 April 2022The artist on his experimental noise project ‘DESASTRES’
‘We Feel the Centaurs’ struggle’: Uffe Isolotto on Representing Denmark at the 59th Venice BiennaleArtReviewartreview.com15 April 2022‘There’s much hope and despair in the air, and I want to make that a physical reality with this installation’
