The Neoliberal Fantasy of ‘The Brutalist’Eva DíazOpinionartreview.com31 January 2025The film’s reductive portrayal of an exploited creative ‘genius’ places individuation as the defining feature of existence
Winners of Prix Meret Oppenheim 2025 announcedArtReviewNewsartreview.com31 January 2025Pamela Rosenkranz, Felix Lehner and Miroslav Šik will each receive CHF 40,000
Mark Leckey’s New Dark WorldJenny WuReviewsArtReview31 January 2025In ‘3 Songs from the Liver’ at Gladstone Gallery, New York, the artist flirts with a religious turn
Khaled Jarrar’s Palestinian PlotStephanie BaileyFeaturesArtReview31 January 2025The artist’s lifework is an ongoing confrontation with those who would deny his homeland’s existence
United States Artists announces the 50 recipients of annual FellowshipArtReviewNewsartreview.com30 January 2025Among them, six visual artists will each receive a $50,000 unrestricted cash award
Introducing Future Greats 2025ArtReviewFuture GreatsArtReview30 January 2025This year, for the first time, ArtReview considers artists working in and around one medium
Future Greats 2025: Kathryn GarciaDean SameshimaFuture GreatsArtReview30 January 2025‘Though Kathy’s practice is centred on the feminine body, her drawings can defy classification and gender’
Future Greats 2025: Tiyan BakerAdeline ChiaFuture GreatsArtReview30 January 2025“We’ve all heard about putting yourself in someone else’s shoes, but what about diving into someone else’s mouth?”
Future Greats 2025: Tshepiso MazibukoLindokuhle SobekwaFuture GreatsArtReview30 January 2025‘Tshepiso always expressed a desire to be a journalist rather than a photographer. However, she possessed a natural talent’
Future Greats 2025: Marina WoiskyOliver BascianoFuture GreatsArtReview30 January 2025‘Woisky’s sculptural zoo enacts a disconcerting interplay between reproduction and reality, mediated image and tactile object’
