The artist’s paintings at Perrotin, Paris are less a literal articulation of place than a meditation on a state of insularity informed by historical memory
Gombrich explores the stylistic categories of art history and their origins in Renaissance ideals, while ArtReview inserts a few thoughts on the influence of Gombrich’s thinking in light of current debates on representation and decolonisation.
Suraj Yengde recalls his childhood horror of mealtimes while growing up in a budget-conscious Dalit household, and how he now looks favourably on a diet that once appalled
From 1987: Kasper König devised a sculpture project in Münster as a supplementary to Documenta 8 in Kassel (and some would say an infinitely more enjoyable one)
From 2016: ‘Artivism’ is often by its nature temporary and collective, resulting in a form that is difficult to categorise, situate or give a value to. Does this make it more effective – or less?